Even Light for Full-Length Portraits

A little different from the last handful of episodes, Nathan Elson’s How I Got the Shot, Episode 7, moves into a darker-toned portrait set marked by its emphasis on moody overhead lighting. [ Read More ]

Even Light for Full-Length Portraits

Even Light for Full-Length Portraits

A little different from the last handful of episodes, Nathan Elson’s How I Got the Shot, Episode 7, moves into a darker-toned portrait set marked by its emphasis on moody overhead lighting.

[ Read More ]